In this book, Montani defends the reasons to place Kant's concept of imaginationa in a paleo-anthropological framework, linking it to the imaginative practices that preceded and prepared the advent of articulated discourse.
Edited by Samir Gandesha, Johan Hartle and Stefano Marino
Price: $36.99
ISBN: 9788869773099
Publisher: Mimesis International
Pub Date: 2021-07-26
Format: Paperback
Imprint: Mimesis International
342 Pages
A celebration of Adorno’s intellectual legacy, which still provides to develop a critical, active and negative (instead than acritical, passive and affirmative) relationship with the real.
Fostering a dialogue enriched by contributions from both the analytic and the continental tradition (and drawing on authors such as Broch, Diderot, Levinson, and Wittgenstein), this volume delves into the complex relationship between aesthetics and values.
What is the imagination’s role in human cognition and culture? This book explores the hypothesis that such role is larger than we commonly think as it plays a key, direct role in our representation of (and practical engagement with) the real world itself.
The world of the image has traditionally been considered as different and separate from the real world. This separation has been ensured by some kind of framing device, be it the pedestal of a statue, the frame of a painting, or the cinema screen. However, recent developments in image-making techniques have resulted in the production of hyper-reali
Edited by Colin J. Campbell, Samir Gandesha and Stefano Marino
Price: $18.00
ISBN: 9788869772238
Publisher: Mimesis International
Pub Date: 2020-01-13
Format: Paperback
Imprint: Mimesis International
140 Pages
This book will collect Adornian contributions on different trends, genres and artists belonging to the broad and complex and in-itself-articulated field of popular music. On the occasion of the 50th anniversary of Adorno’s death, the book will represent an important contribution for the international community of Adorno scholars and, additionally,
In every psychic experience, even in the production of a work of art, there exists a nucleus that is impossible to transform. It resists any and every action against itself. We are used to dealing with these irreducible and radical othernesses by adapting them to our own way of knowing and our experience. In reality, they make up the ugly material
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