Edited by Ada Ackerman, Barbara Grespi and Andrea Pinotti
Price: $18.00
ISBN: 9788869773709
Publisher: Mimesis International
Pub Date: 2024-11-30
Format: Paperback
Imprint: Mimesis International
172 Pages
Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been construct
Tinto Brass and the Eroticization of (Film ) History
by Alberto Zambenedetti
Price: $12.00
ISBN: 9788869770845
Publisher: Mimesis International
Pub Date: 2024-11-30
Format: Paperback
Imprint: Mimesis International
80 Pages
Often referred to as a master of erotica, Venetian director Tinto Brass is a deeply political man who has made no mystery of his anarchic inclinations.
Interactive Fiction in Cinematic Virtual Reality offers a narrative model that combines live-action 360° video with an interactive fiction structure to create immersive and interactive narrative experiences....
Traditional Theater in Contemporary Hausa Video Films
by Yusuf Baba Gar
Price: $52.95
ISBN: 9783643914101
Publisher: LIT Verlag
Pub Date: 2024-02-29
Format: Paperback
Imprint: LIT Verlag
174 Pages
The book identifies and critically analyses Hausa contemporary films known as Kannywood. The focus is on video films with particular emphasis on sources in oral literature. How traditional theatres...
Reclaiming women’s agency in Swedish film history and beyond
Edited by Ingrid Stigsdotter
Price: $39.95
ISBN: 9789188661852
Publisher: Nordic Academic Press
Pub Date: 2020-06-02
Format: Hardcover
Imprint: Nordic Academic Press
184 Pages
As film stars, actresses have contributed to the film industry's glamorous surface. To talk about women in film as invisible may thus seem odd. This book, however, is concerned with the paradox that on the other side of the camera, women are clearly underrepresented.
Ever since HBO's slogan "It's Not TV, It's HBO" launched in 1996, so-called quality television has reached a new level of marketing, recognition, and indeed quality. With other networks imitating the formula, the "HBO effect" triggered a wave of creative output.
The essays presented in this volume investigate the relationship between cinema and ontology. This investigation unfolds, on the one hand, through an ontological understanding of cinema, that is, an understanding of the specificity of if its being.
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