This book, which is an excerpt of the author’s Ph.D. dissertation, deals with the popular reception of early Italian television during the years of the so-called long "economic boom" (1954-1969). To do so, the author focuses on the Catholic and Communist audiences’ perception of the first TV programs. The investigation into these two main groups’ reception will be conducted through the analysis of all the TV references tracked into the readers' columns of the two most popular rotocalchi of those years: the Catholic magazine "Famiglia Cristiana" and the Communist weekly «Vie Nuove». Showing the collective discourse about television, made by very different types of audiences through the use of letters published by these popular magazines, this study points out how television's impact was also a mediated process. Therefore, the innovative proposal of this book is to suggest an in-depth reception and cultural history of the early Italian television.
Damiano Garofalo received his Ph.D. in Historical Studies at the University of Padova, with a thesis on Italian television popular consumption during the '50s and '60s. He's currently Teaching Assistant in Film & Media Studies at Sapienza University of Rome, where he received his degree in Modern History. He has also co-edited with Vanessa Roghi the book Televisione. Storia, memoria, immaginario (Rubbettino, 2015).
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